online: 6 november 2014
modified: 5-6 november 2014

28 october 2014 amidst films and falling leaves...


...falling in clear air and bright sunshine... on a tuesday afternoon beneath the trees encircling pond one... a roaring traffic sound... mixed with fragments of human voice and of whistles... two women start taking photographs of dazzling sun on water...

...a cloud of gulls circling and swooping where a swan with nearly full-grown cygnets attracts people who are feeding them...

...now the sun is close to setting... and i've yet to reach the first random point... so on i go...

...arriving at that spoint (the tumulus seat in memory of Ethel Copland Campbell vegetarian socialist pacifist)... i look up at the cloudless sky... in which i see a fast moving bird... a slowly moving aircraft... and the new moon not seeming to move at all...

...now a man in white t-shirt accompanying a dog with grey fur and white patches... both seen against dark green trees and meadow... yes everything is now in subtle colours... but can be seen via monochrome film as black and white... so colour is unnecessary to perceiving shape and form... but when the world is seen as poetry and colours the meaning and significance of shape is included in our perception... and so we enter or become imagination itself... the words lose something as they undo reality... or in some unspoken way reveal world in its surreal parts as well as philosophic being...


...dusk begins ... too late to walk to distant second point so instead i walk to nearby Parliament Hill before the city is in darkness...

...but when i get there it is night and there is a film crew in charge of bending supposed reality... with lights and cameras and mikes and overpaid obedient people fitting the visible and audible parts to a film director's idea of how others perceive things... yet filmed image is as fascinating as it is alienating... the imposed world of television ... a man i spoke with could recognise some of the actors from a popular tv programme...

...but now it's over... in minutes they are packing up and the unbelieveable unimposed reality (of nature in semi-darkness) rusumes... resumes... and the wind is now cold in the darkness...

...on the way out of the heath i pass through zones illuminated by temporary floodlights that are being switched off and put away in the hired vans of the companies who provide and remove the alterations to parts of nature that do not fit the story that is being sold and told in filmed sights and sounds and movements all fitted to... (words missing?)

...and on return home there is news of a film of the life of Jack Howe the industrial designer... organised by his daughter Susan Wright with her memories... and those of others (such as me) who speak of Jack Howe with respect and informed affection... he lived to be 92...

...and yes that was the truth of what he did... and why several of us worked with him as assistants or apprentices... in his modesty and rightness... his way of extending modernism from the architecture of Le Corbusier and Walter Gropius to the design of industrialised housing... and domestic and industrial appliances... from pullman trains and streetlamps to clocks and cash machines and such... but always modest and sensible... to humanise the use of things more than for any show or glamour...


...and now here i am late at night looking forward to seeing the film and reliving those early days of industrial design... that still expanding occupation few seem to understand... ('the design of WHAT?' people still ask... surely you can't design everything?)... and those who do it (or study it) seem often to speak in sub-human abstract words that keep the whole thing still a secret from all of us as suffering users...




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